{"id":2574,"date":"2025-10-26T21:56:13","date_gmt":"2025-10-26T21:56:13","guid":{"rendered":"https:\/\/morkemeditasjoner.no\/?p=2574"},"modified":"2026-04-14T09:20:52","modified_gmt":"2026-04-14T09:20:52","slug":"landet-hinsides-skogene","status":"publish","type":"post","link":"https:\/\/morkemeditasjoner.no\/?p=2574","title":{"rendered":"Landet hinsides skogene"},"content":{"rendered":"\n

Den dagen, den 8. april 1991 i huset de leide p\u00e5 Krokstad utenfor Oslo, da Mayhems vokalist Per Yngve \u00abPelle\/Dead\u00bb Ohlin (1969\u20131991) etter \u00e5 ha fors\u00f8kt \u00e5 ta sitt eget liv med kniver i skogen, satte haglen mot ansiktet og trakk av, hadde han p\u00e5 seg en hvit t-skjorte det stod \u00abI love Transylvania\u00bb p\u00e5. I flere brev sendt i 1990 til den italienske fanzine-redakt\u00f8ren og musikkdistribut\u00f8ren som kaller seg The Old Nick \u2013 for\u00f8vrig et kallenavn p\u00e5 Satan \u2013 skriver Ohlin utfyllende om hvor vanvittig interessert han er i alt som har med Transilvania, vampyrer og varulver \u00e5 gj\u00f8re.<\/p>\n\n\n\n\n\n\n\n

\"\"
Bram Stoker, 1897, Dracula<\/em>.<\/figcaption><\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Navnet Transilvania<\/em> kommer av latin trans<\/em> som betyr \u00abden andre siden\u00bb og silva<\/em> som betyr \u00abskog\u00bb, og sammensatt betyr det \u00ablandet hinsides skogen(e)\u00bb. Det historiske landskapet st\u00e5r sterkt i manges bevissthet, trolig p\u00e5 grunn av Bram Stokers mange ganger filmatiserte roman Dracula<\/em> fra 1897, om vampyrgreven Dracula fra Transilvania p\u00e5 s\u00f8ken etter nye jaktmarker i London. En av flere overnaturlige krefter greven har er at han kan styre ulveflokker slik han \u00f8nsker det.<\/p>\n\n\n\n

\"Mayhem,
Mayhem, De Mysteriis Dom Sathanas<\/em>, 1994. Foto: Discogs.<\/figcaption><\/figure>\n\n\n\n

Ohlin skriver ikke om vampyrer, ulver eller varulver i tekstene han gjorde for Mayhem, men han skriver om Transilvania i l\u00e5ten \u00abFuneral Fog\u00bb p\u00e5 De Mysteriis Dom Sathanas<\/em>, utgitt 24. mai 1994:<\/p>\n\n\n\n

Every time this year
This dark fog will appear
Up from the tombs it comes
To take one more life that can be near
In the middle of Transylvania
All natural life has for a long time ago gone
It's thin and so beautiful
But also so dark and mysterious1<\/a><\/sup><\/pre>\n\n\n\n
\"Darkthrone,
Darkthrone, Transilvanian Hunger<\/em>, 1994. Foto: Discogs.<\/figcaption><\/figure>\n\n\n\n
Tidligere samme \u00e5ret, den 17. februar 1994 kom Darkthrone med utgivelsen Transilvanian Hunger<\/em>. P\u00e5 tittell\u00e5ten nevnes vampyrer:<\/p>\n\n\n\n
So pure... So cold
Transilvanian hunger

Hail to the true, intense vampires
A story made for divine fulfillment2<\/a><\/sup><\/pre>\n\n\n\n
\"\"
The Old Nick, 2016, Letters from the Dead: In memory of Pelle Ohlin (1969\u20131991)<\/em>.<\/figcaption><\/figure>\n\n\n\n
I brevene datert Langhus, 21. mars 1990, og Kr\u00e5kstad, 24. august 1990, stiller blant annet Ohlin sp\u00f8rsm\u00e5l til The Old Nick om han vet om de i Transilvania som lider av den sjeldne stoffskiftesykdommen porfyri<\/em> \u2013 kjent som vampyr-syndrom<\/em> \u2013 blir samlet i kolonier p\u00e5 lik linje med spedalske. I s\u00e5 fall kunne han tenke seg \u00e5 bo sammen med dem, og kanskje f\u00e5 seg jobb som leverand\u00f8r av blod til disse. Og Ohlin viser en genuin interesse for disse grenseoverskridende skapningene og deres kulturhistorie:<\/p>\n\n\n\n
\"\"
N\u00e6rbilde av en blomst av tyrihjelm (Aconitum septentrionale eller A lycoctonum ssp. septentrionale) med kronblad fjernet slik at de lange nektariene er synlige. Foto: Tinymonty, CC BY-SA 3.0 https:\/\/creativecommons.org\/licenses\/by-sa\/3.0<\/a>, via Wikimedia Commons.<\/figcaption><\/figure>\n\n\n\n
\n
The weirdest thing about vampyrism is that it was so spreaden out, all over the whole world (but in the West Europe not really until about 150 years ago). The idea of that when someone loosing all his blood that also the soul follows with it is really old and someone who then sucks out someone elses blood then must take thet ones soul and keep it. So for thousands of years ago or maybe even longer back in time than that people around the world have had some kind of a vampire tale from that idea of the blood is the soul and life. I can not understand how people of that time could find out the legends of wolf-men … have you ever seen a wolf in a zoo or something like that? The only difference between a wolf and an ordinary dog is that a wolf is wild, got about some 100 times smarter brain and stronger instincs.<\/p>\nThe Old Nick, 2016, Letters from the Dead: In memory of Pelle Ohlin (1969\u20131991), s. 16.<\/em><\/cite><\/blockquote>\n\n\n\n
Ohlin forteller ogs\u00e5 at han kunne tenke seg \u00e5 samle p\u00e5 planter det er knyttet overtro til, og han er p\u00e5 utkikk etter planter som n\u00e6res av m\u00e5nelyset. Disse knytter han til lykantropi, for vi kjenner alle til hvordan ulven hyler mot m\u00e5nen:<\/p>\n\n\n\n
\n
Do you know some more about Lycanthropy\/werewolves?<\/p>\n\n\n\n
I don’t know much about that anyway. I try to find flowers of that kind that are supposed to be fed by the moon light but I don’t know the name of those flowers. Only of one, but I don’t think it has anything to do with the moon \u2013 Wolvesbane, that one is thought to «infect» humans to werevolves, it’s very poisonous anyway. It grows only at very strange places and I doubt it at all exists in Scandinavia .. . I’d like to collect in plants that there are superstitions of.<\/p>\nThe Old Nick, 2016, s. 16.<\/em><\/cite><\/blockquote>\n\n\n\n
Wolfsbane<\/em> eller p\u00e5 latin Aconitum lycoctonum<\/em> \u2013 som betyr \u00abulvedreper\u00bb \u2013 kalles gjerne tyrihjelm p\u00e5 norsk, og er sv\u00e6rt giftig. Den vokser vilt i st\u00f8rstedelen av Norge, og ble blant annet brukt av samene som ulvegift.3<\/a><\/sup> I den klassiske skrekkfilmen The Wolf Man<\/em> fra 1941 brukes tyrihjelm som beskyttelse mot varulver.<\/p>\n\n\n\n
\"The
The Wolf Man<\/em>, 1941. Foto: Universal Studios, re-released by Realart in 1948, Public domain, via Wikimedia Commons.<\/figcaption><\/figure>\n\n\n\n
\"\"
Venom, At War with Satan, 1984. Foto: Discogs.<\/figcaption><\/figure>\n\n\n\n
Dette er det diametralt motsatte av hva Ohlin hevder planten kunne brukes til, i tr\u00e5d med Venoms tekst til l\u00e5ten \u00abCry Wolf\u00bb fra utgivelsen At War with Satan<\/em> fra 1984, nemlig \u00e5 infisere<\/em> mennesker slik at de blir<\/em> varulver. Dette er en l\u00e5t det er rimelig sikkert at Ohlin lyttet n\u00f8ye til:<\/p>\n\n\n\n
\n
Placed in the wilderness, naked and cold
The night draws the warmth from my flesh
Howls in the distance
The wolves they catch my scent
They yearn for my blood warm and fresh

But I....

Cannot run, I cannot hide
I'm moments old, yet terrified
Snarling breath upon my face
Who has damned in this place

Morning breaks the evening darkness
Daylight sings so loud
Father holds my in his arms
And laughs for he is proud
'All is well' my mother cries
A kiss for me her child
But at night my heart turns black
And calls me to the wild

In the night where the wolf-bane grows
In the night when the full moon glows

Cry wolf...

Alone in your room
By the light of the moon
Your glory is shining so bright
You pray for the day
Oh show me the way
The devil takes over tonight
It's too late, night is here
The time that you dread
The time when you lose all control

Your body's in pain
You're crying in vain
Satan takes over your soul

Cry wolf...

Even a man who's pure of heart
He says his prayers by night
Bane from a wolf when the wolf bane grows
And the moon's full and bright


Cannot run, I cannot hide
I am still terrified
Snarling breath is on my face
I am damned in this place

I cannot resist their call
It strengthens as I age
To the pack to join the feast
And fear immortal rage
Never can I live the life
Of every normal child
Forever I must answer
To the call of the wild

Cry Wolf

The call of the wild4<\/a><\/sup><\/pre>\n<\/div>\n\n\n\n
I filmen Dracula<\/em> fra 1931, bruker professor Van Helsing en krans av blomster fra tyrihjelm for \u00e5 beskytte sanatoriumbestyrer John Sewards datter Mina mot vampyrer. I Harry Potter benyttes tyrihjelm for potensielt \u00e5 kurere lykantropi.<\/p>\n\n\n\n
\"\"
Dracula<\/em> (1931). Poster: Ukjent illustrat\u00f8r. Universal Pictures., Public domain, via Wikimedia Commons.<\/figcaption><\/figure>\n\n\n\n
\"\"
Van Helsing konfronterer grev Dracula i filmen Dracula<\/em> (1931). Foto: Universal Studios, Public domain, via Wikimedia Commons.<\/figcaption><\/figure>\n\n\n\n
Litt senere i brevet til The Old Nick kommer det en interessant paragraf hvor Ohlin i sin vimsete skrivestil f\u00f8rst reflekterer over hvordan mennesker p\u00e5 lik linje med ulver, og derfor ogs\u00e5 varulver, p\u00e5virkes av m\u00e5nen:<\/p>\n\n\n\n
\n
I don’t think it was the idea of the wolves themselves that made people find out about werewolves – but their reaction at the full moon. Also humans reacts at the full moon but I think that is growing away more and more ‘cos it was really many generations ago since the humans lived in forests and near the nature […]<\/p>\nThe Old Nick, 2016, s. 17.<\/em><\/cite><\/blockquote>\n\n\n\n
Vampyrer, varulver, nattblomstrende planter. Alle har det til felles at de n\u00e6res av natten, av m\u00e5nen, p\u00e5 samme m\u00e5te som Ohlin forestiller seg nattmennesket, svartmetallkarakteren, i Mayhem-l\u00e5ten \u00abPagan Fears\u00bb fra 1994-utgivelsen De Mysteriis Dom Sathanas<\/em>:<\/p>\n\n\n\n
Woeful people with pale faces
Staring obsessed at the moon
Some memories will never go away
And they will forever be here5<\/a><\/sup><\/pre>\n\n\n\n
I brevet fortsetter han setningen over om at det er s\u00e5 lenge siden mennesket har levd n\u00e6r naturen at vi har mistet de dyriske instinktene v\u00e5re:<\/p>\n\n\n\n
\n
[…] so now we’re only used to computers and disgusting tecnology. Humans adjustment to newer times and hi-tech shit has made our brains different, our instincts are almost gone etc. But I believe that for some hundreds or thousands years ago we could feel alike the animals in many manners.<\/p>\nThe Old Nick, 2016, s. 17.<\/em><\/cite><\/blockquote>\n\n\n\n
Ohlin mener at det dyriske er \u00e5 finne i mennesket, men at vi har mistet det eller glemt det. Dette peker p\u00e5 svartmetallens forst\u00e5else av at mennesket gjennom kristendommens slavemoral har undertrykt en viktig del av seg selv, nemlig villskapen, og at denne m\u00e5 hentes frem igjen for \u00e5 gj\u00f8re mennesket helere. Ohlin fortsetter ved \u00e5 gi en oppskrift p\u00e5 hvordan man kan komme n\u00e6rmere det primitive, nemlig ved \u00e5 opps\u00f8ke skogen over lengre tid, noe han selv rapporterer \u00e5 ha gjort.<\/p>\n\n\n\n
\n
Have you been living alone in a forest for a longer time? Have you then felt how your mind can «turn back» to be more primitive … at least that’s how I feel it then. I’m working on that for example when I need new (old … ) and different ideas for lyric material. I’ve tried that out, to sit alone in a lonely and half-broken down cabin in a dark forest, by night.<\/p>\nThe Old Nick, 2016, s. 17.<\/em><\/cite><\/blockquote>\n\n\n\n
S\u00e5 runder Ohlin av med \u00e5 uttrykke en sentral tanke hos svartmetallkarakteren, og som lyder som et ekko fra sosiologen Max Webers (1864\u20131920) dekret om at verden avmystifiseres<\/em> i moderniteten, og dermed blir mer fremmedgjort, f\u00f8lelsesl\u00f8s og steril. Weber skriver:<\/p>\n\n\n\n
\"\"
Max Weber, From Max Weber: Essays in Sociology<\/em>, 1946.<\/figcaption><\/figure>\n\n\n\n
\n
The fate of our times is characterized by rationalization and intellectualization and, above all, by the \u00abdisenchantment of the world.\u00bb<\/p>\nWeber, 1946, \u00abScience as a Vocation\u00bb, From Max Weber: Essays in Sociology, s. 155.<\/em><\/cite><\/blockquote>\n\n\n\n
If\u00f8lge Weber har vi har mistet noe viktig i modernitetens ensidige jakt p\u00e5 vitenskapelige sannheter om verden. For Ohlin betyr det et \u00f8nske om \u00e5 refortrylle virkeligheten med blant annet mytiske vesener og magiske planter:<\/p>\n\n\n\n
\n
The worst thing about the modern time is the modern way of thinking and too much can be explained.<\/p>\nThe Old Nick, 2016, s. 17.<\/em><\/cite><\/blockquote>\n\n\n\n
Kilder<\/h2>\n\n\n\n
Se Kilder<\/a>.<\/p>\n\n\n\n
Sluttnoter<\/h2>\n\n\n
  1. Utdrag fra Mayhem, 1994, \u00abFuneral Fog\u00bb, De Mysteriis Dom Sathanas<\/em>. Tekst av Per Yngve Ohlin. \u21a9\ufe0e<\/a><\/li>
  2. Utdrag fra Darkthrone, 1994, \u00abTransilvanian Hunger\u00bb, Transilvanian Hunger<\/em>. Tekst av Gylve Fenris Nagell. Merk at Transilvanian<\/em> i Transilvanian Hunger<\/em> er stavet feil. P\u00e5 engelsk skal det v\u00e6re Transylvanian<\/em> med y<\/em>. P\u00e5 norsk skal man skrive med i<\/em>. \u21a9\ufe0e<\/a><\/li>
  3. Se Artsdatabanken: https:\/\/artsdatabanken.no\/Pages\/286520<\/a>. \u21a9\ufe0e<\/a><\/li>
  4. Venom, 1984, \u00abCry Wolf\u00bb, At War with Satan<\/em>. \u21a9\ufe0e<\/a><\/li>
  5. Mayhem, 1994, \u00abPagan Fears\u00bb, De Mysteriis Dom Sathanas<\/em>. Tekst av Per Yngve Ohlin. \u21a9\ufe0e<\/a><\/li><\/ol>\n\n\n
    <\/p>\n","protected":false},"excerpt":{"rendered":"
    Den dagen, den 8. april 1991 i huset de leide p\u00e5 Krokstad utenfor Oslo, da Mayhems vokalist Per Yngve \u00abPelle\/Dead\u00bb Ohlin (1969\u20131991) etter \u00e5 ha fors\u00f8kt \u00e5 ta sitt eget liv med kniver i skogen, satte haglen mot ansiktet og trakk av, hadde han p\u00e5 seg en hvit t-skjorte det stod \u00abI love Transylvania\u00bb p\u00e5. […]<\/p>\n","protected":false},"author":1,"featured_media":2611,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"[{\"content\":\"Utdrag fra Mayhem, 1994, \u00abFuneral Fog\u00bb, De Mysteriis Dom Sathanas<\/em>. Tekst av Per Yngve Ohlin.\",\"id\":\"eb0ab742-1331-4b89-87da-babe213250e5\"},{\"content\":\"Utdrag fra Darkthrone, 1994, \u00abTransilvanian Hunger\u00bb, Transilvanian Hunger<\/em>. Tekst av Gylve Fenris Nagell. Merk at Transilvanian<\/em> i Transilvanian Hunger<\/em> er stavet feil. P\u00e5 engelsk skal det v\u00e6re Transylvanian<\/em> med y<\/em>. P\u00e5 norsk skal man skrive med i<\/em>.\",\"id\":\"53f69dda-6ed6-4713-b62e-99e02dc8b0d0\"},{\"content\":\"Se Artsdatabanken: https:\/\/artsdatabanken.no\/Pages\/286520<\/a>.\",\"id\":\"4ed02982-094c-4374-bb43-03a5f982505d\"},{\"content\":\"Venom, 1984, \u00abCry Wolf\u00bb, At War with Satan<\/em>.\",\"id\":\"1f5c0423-2379-4d85-b975-e6157e085e80\"},{\"content\":\"Mayhem, 1994, \u00abPagan Fears\u00bb, De Mysteriis Dom Sathanas<\/em>. Tekst av Per Yngve Ohlin.\",\"id\":\"8fa2a908-acd1-41d7-9495-d8b49ccc208e\"}]"},"categories":[388],"tags":[392,412,402,414],"class_list":["post-2574","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-morke-meditasjoner-nb","tag-black-metal-nb","tag-darkthrone-nb","tag-mayhem-nb","tag-per-yngve-pelle-dead-ohlin-nb"],"yoast_head":"\nLandet hinsides skogene - M\u00f8rke meditasjoner<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/morkemeditasjoner.no\/?p=2574\" \/>\n<meta property=\"og:locale\" content=\"nb_NO\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Landet hinsides skogene - M\u00f8rke meditasjoner\" \/>\n<meta property=\"og:description\" content=\"Den dagen, den 8. april 1991 i huset de leide p\u00e5 Krokstad utenfor Oslo, da Mayhems vokalist Per Yngve \u00abPelle\/Dead\u00bb Ohlin (1969\u20131991) etter \u00e5 ha fors\u00f8kt \u00e5 ta sitt eget liv med kniver i skogen, satte haglen mot ansiktet og trakk av, hadde han p\u00e5 seg en hvit t-skjorte det stod \u00abI love Transylvania\u00bb p\u00e5. 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