{"id":2861,"date":"2022-07-10T09:32:00","date_gmt":"2022-07-10T09:32:00","guid":{"rendered":"https:\/\/morkemeditasjoner.no\/?p=2861"},"modified":"2026-04-14T08:17:30","modified_gmt":"2026-04-14T08:17:30","slug":"the-morbid-angel-concert-in-1991","status":"publish","type":"post","link":"https:\/\/morkemeditasjoner.no\/?p=2861&lang=en","title":{"rendered":"The Morbid Angel concert in 1991"},"content":{"rendered":"\n

In the history of Norwegian black metal, there are several concerts that stand out as particularly significant: the Dio concert at Drammenshallen in October 1984,1<\/a><\/sup> Mayhem at Folkets Hus in Jessheim in February 1990,2<\/a><\/sup> and Darkthrone and Satyricon at Rockefeller in April 1996.3<\/a><\/sup> These are all significant because they defined the genre and cemented the early Norwegian black metal scene \u2013 the second wave of dark, satanic rock that swept across the country, and the world, like a flame in the northern sky. But there is one concert that stands out in a class of its own among this group, a concert that wasn\u2019t even black metal, but death metal. A concert that shaped several of the black metal bands in the years to come, and which sealed the fate of the entire genre.<\/p>\n\n\n\n\n\n\n\n

\"\"
Morbid Angel, Blessed Are the Sick<\/em> (1991).<\/figcaption><\/figure>\n\n\n\n

The concert in question was a gig by the American band Morbid Angel on their Blessed Are the Sick<\/em> tour, held in the basement of the Norwegian Student Society\u2019s venue, Chateau Neuf, in the concert hall which was then called Alaska and is now known as Betong. The year was 1991. But what was the exact date? On that point, opinions differ among scholars. But not among those who were there.<\/p>\n\n\n\n

H\u00e5vard Rem’s claims<\/h2>\n\n\n\n

The Norwegian Wikipedia article on «Black metal» states the following:<\/p>\n\n\n\n

\n

In May or June 1991, when Morbid Angel played at \u2018Death Metal Nights\u2019 at Alaska (now known as Betong) in Oslo, the Oslo and Bergen scenes met for the first time, when [Kristian «Count Grishnackh»] Vikernes met [\u00d8ystein «Euronymous»] Aarseth. At this concert, Kristoffer [«Garm»] Rygg and J\u00f8rn Henrik Sv\u00e6ren also met. Around the same time, Aarseth opened the record shop Helvete in Schweigaards gate in Oslo, which became the central haunt for the black metal core, also referred to as «The Black Circle», a name coined by Aarseth himself.<\/p>\nFrom the article «Black Metal» (https:\/\/no.wikipedia.org\/wiki\/Black_metal), downloaded on 8 July 2021. My translation.<\/em><\/cite><\/blockquote>\n\n\n\n

\"\"
Innf\u00f8dte skrik. Norsk svartmetall<\/em> (Rem, 2010).<\/figcaption><\/figure>\n\n\n\n

Som det kommer frem av referansene s\u00e5 er i alle fall deler av denne informasjonen hentet fra H\u00e5vard Rems bok Innf\u00f8dte skrik. Norsk svartmetall<\/em> (Rem, 2010). Der hevder Rem f\u00f8lgende:<\/p>\n\n\n\n

\n

In late May 1991, the death metal band Morbid Angel played here [in Alaska], and that evening the Bergen and Oslo scenes \u2013 Vikernes and Aarseth \u2013 met for the first time.<\/p>\nRem (2010), p. 37. My translation.<\/em><\/cite><\/blockquote>\n\n\n\n

Later in the book, he poses the question «When did the concert take place?» and answers it himself:<\/p>\n\n\n\n

\n

Morbid Angel undertook two tours of Northern Europe in 1991, the first in May and June, and the second in December; in the autumn, they toured the United States. For much of the spring tour, Morbid Angel were accompanied by the Swedish death metal bands Unleashed and Entombed.<\/p>\n\n\n\n

The spring tour, with Berlin on 7 May as an early gig, was part of the launch of their second album, Blessed Are the Sick<\/em>, which had been released five days earlier. According to Kai Jarre, the man who organised Death Metal Nights at Alaska in the early nineties, Morbid Angel played at the Student Union both at the end of May\/beginning of June and in December. Speaking of the first concert, he says: «In the spring, the «tough» vocalist [David Vincent] was a bit nervous as he\u2019d made a statement that killing animals was cool. A militant animal rights organisation responded by saying they\u2019d kill him too, or that they\u2019d put a bounty on his head or something like that. In any case, he was about to shit his pants and kept looking over his shoulder.»<\/p>\n\n\n\n

[…]<\/p>\n\n\n\n

Jarre also remembers the DJ from that evening very well: «\u00d8ystein Aarseth was the DJ, I suppose… and a bit disappointed that he wasn\u2019t allowed to «work» with a long club strapped to his belt. The fact that the club ended up being a wedge the size of a tennis ball and was covered in razor-sharp spikes didn\u2019t stop him from seeing it as a weapon. He just called it his «jewellery».»<\/p>\n\n\n\n

[…]<\/p>\n\n\n\n

It wasn\u2019t just Vikernes and Aarseth who met for the first time at Alaska in May\/June 1991. For J\u00f8rn Henrik Sv\u00e6ren too \u2013 at the time a lyricist for Ulver and Arcturus, until 2009 the publisher of the recently defunct H Press, and now a full member of Ulver \u2013 the concert is a memorable one. In connection with Ulver\u2019s concert at the Literature Festival in Lillehammer in May 2009, he gave an interview to avantgarde-metal.com: «I remember meeting Kris [Kristoffer Rygg, also known as Garm] around 1990, at a Morbid Angel concert in Oslo. I\u2019d been part of the black metal scene for a while, albeit somewhat on the fringes.»<\/p>\nRem (2010), pp. 112\u2013113. My translation.<\/em><\/cite><\/blockquote>\n\n\n\n

I have found the interview with Sv\u00e6ren on The Internet Archive, and according to the article\u2019s author, Seth Robert Beaudreault, this is what he said, word for word:4<\/a><\/sup><\/p>\n\n\n\n

\n

Uh… I remember meeting Kris at the turn of the eighties, at a Morbid Angel concert in Oslo. I had been a part of the black metal scene for some time, although off-centre. I did a show on a local radio station playing demos and stuff, plus I did some work with B\u00e5rd G. Eithun on his Orcustus fanzine. I never played in a band, but I did write a few lyrics.<\/p>\nSeth Robert Beaudreault (24 November 2009), \u00abULVER \u2013\u00a0<\/strong>Born Again From The Merciless Mother\u00bb, in Avantgarde Metal.<\/em><\/cite><\/blockquote>\n\n\n\n

\"\"
Wolves Evolve<\/em> (Espedal & Ulver, 2020).<\/figcaption><\/figure>\n\n\n\n

Sv\u00e6ren does not say when the concert took place, but he was able to confirm that he met Rygg for the first time at that concert. Both have confirmed this on several occasions, most recently in the book Wolves Evolve (Espedal & Ulver, 2020), in which Rygg and Sv\u00e6ren describe the period from when the two first met at this Morbid Angel concert, and the seeds of Ulver were sown.<\/p>\n\n\n\n

\"\"
Fanzinen Anal Fissur<\/em>. Foto: Tom Gundersen.<\/figcaption><\/figure>\n\n\n\n

Sv\u00e6ren claims he sold fanzines produced by noise rocker Lasse Marhaug whilst queuing. This was likely the fanzine Anal Fissur<\/em>, for which Sv\u00e6ren also wrote. In the same queue was Rygg, who believes he was selling copied demo cassettes by Old Funeral or Amputation. Rygg noticed Sv\u00e6ren because of his blonde wavy hair and Burzum T-shirt, which signalled that he was initiated into the inner circle of black metal. Although Sv\u00e6ren did not formally become a member of Ulver until 2000, he has been a key contributor to the band\u2019s lyrics and concepts throughout Ulver\u2019s history, right from the demo Vargnatt<\/em> (1993).<\/p>\n\n\n\n

\n

In an email to me dated 3 August 2023 \u2013 that is, after the publication of this article \u2013 Rygg drew my attention to the interview «Dark Jester: The Strange World Of\u2026 Ulver» in The Quietus by Josh Gray (25 January 2016), in which Rygg says the following about the concert with Morbid Angel in 1991:<\/p>\n\n\n\n

\n

This was a really important event. Everyone was there and it was here I met J\u00f8rn (H. Sv\u00e6ren), who wasn’t actually a formal member of Ulver until after the turn of the millennium, but he has been my closest friend and writing partner ’til this very day. In a way you could say Ulver was born then. I was doing a fanzine at the time (Chronicles Of Hate<\/em>) and J\u00f8rn was also involved in one with Faust (of Emperor). It was called Orcustus<\/em> and it was J\u00f8rn who coined the name and drew the logo. He had done that for a couple of the early death bands too, like Old Funeral and Amputation (pre-Immortal).<\/p>\n\n\n\n

At that gig he was actually selling the fanzine of noise musician Lasse Marhaug, which was a silly thing called [Red.anm.: Her er tittelen p\u00e5 fanzinen borte, men jeg antar at det er <\/em>Anal Fissur det siktes til.<\/em>]. I actually donated some of my old fanzines to the Rockheim museum in Trondheim, where they are now on display, mounted under glass, which feels very odd! But I guess that’s what all that old borderline underground stuff has become now, music history.<\/p>\nJosh Gray (25 January 2016), \u00abDark Jester: The Strange World Of\u2026 Ulver\u00bb in The Quietus. (https:\/\/thequietus.com\/articles\/19586-ulver-interview-2<\/a>)<\/em><\/cite><\/blockquote>\n<\/div>\n\n\n\n

Rem (2010) thus puts forward several claims that are worth examining more closely:<\/p>\n\n\n\n

    \n
  1. Morbid Angel played twice in Norway in 1991, the first time in May or June, and the second time in December.<\/li>\n\n\n\n
  2. Ulver’s Sv\u00e6ren and Rygg met for the first time at the Morbid Angel concert in May\/June 1991.<\/li>\n\n\n\n
  3. Aarseth and Vikernes of Mayhem first met at the same Morbid Angel concert.<\/li>\n\n\n\n
  4. Aarseth opened the record shop Helvete around the same time as this concert took place.<\/li>\n<\/ol>\n\n\n\n

    We have already seen that part of claim 2 \u2013 that Ulver\u2019s Sv\u00e6ren and Rygg met for the first time at the Morbid Angel concert in 1991 \u2013 is correct. The question is therefore when this meeting took place: was it, as Rem claims, in May\/June, or later in the year? Clarifying whether claim 1 is correct is therefore key here. But first of all, we shall look at claims 3 and 4. It will turn out that claim 4 is also dependent on the answer to claim 1.<\/p>\n\n\n\n

    \"\"
    Chateau Neuf, Det Norske Studentersamfunds storstue.<\/figcaption><\/figure>\n\n\n\n

    A meeting in Helvete (Hell)?<\/h2>\n\n\n\n
    \"\"
    Lords of Chaos<\/em> (Moynihan & S\u00f8derlind, 1998).<\/figcaption><\/figure>\n\n\n\n

    The book Lords of Chaos<\/em> (Moynihan & S\u00f8derlind, 1998) refers to B\u00e5rd «Faust» Eithun, who states that Aarseth opened the record shop Helvete at 56 Schweigaards gate in Oslo in May or June 1991, and that Eithun and several others in the scene met Vikernes for the first time in the record shop before the Morbid Angel concert, as Helvete served as a meeting place for the scene. However, it is somewhat unclear from the text whether it was here that they met Vikernes, or at the concert itself. What follows after he is asked when he first met Vikernes is as follows:<\/p>\n\n\n\n

    \n

    That was before I moved to Oslo, it was before a Morbid Angel gig. The shop was kind of a meeting place for people. I think it was in ’91. It was at that gig that Vikernes was introduced to the scene, because people hadn’t met him before.<\/p>\nEithun in Moynihan & S\u00f8derlind (1998), p. 66.<\/em><\/cite><\/blockquote>\n\n\n\n

    My understanding is that Eithun believes Vikernes first met some of the people in the scene at the record shop Helvete, before they moved on to the concert venue at Majorstua, where Vikernes met several more people from the scene. It is possible that Rem\u2019s dating of the concert with Morbid Angel may have been based on Eithun\u2019s account of when the record shop Helvete opened, since Eithun states that this was in May\/June 1991:<\/p>\n\n\n\n

    \n

    He opened the shop in May or June of ’91 and I startet working there from July ’92 until July ’93.<\/p>\nEithun in Moynihan & S\u00f8derlind (1998), p. 66.<\/em><\/cite><\/blockquote>\n\n\n\n

    In a post on his website on 22 March 2010, Vikernes strongly criticises Rem\u2019s book in general, but he also refers to the concert with Morbid Angel and what is said to have been his first meeting with Aarseth:<\/p>\n\n\n\n

    \n

    He then says Euronymous and I met «first in the shop (Helvete) and then at a concert in Oslo». Sorry, Mr. Rem. You are wrong again. I first met Euronymous in his home near Ski in April 1991, and his shop didn’t even exist at the time.<\/p>\n\n\n\n

    Now, I am still on the first page here, but the mistakes keep coming; «Vikernes had joined Aarseth’s band». Sorry, Mr. Rem, but this happened one and a half year later. <\/p>\n\n\n\n

    A few pages later he writes that «In the end of May 1991 the Death Metal band Morbid Angel has a concert in Oslo, and that night the Bergen scene and the Oslo scene meet for the first time». Now, according to you this is the second time we met for the first time, Mr. Rem, and I may add that you are still wrong. Neither of these two times were the first time we met. I still met Euronymous for the first time in his home near Ski in April 1991.<\/p>\nVikernes (2010).<\/em><\/cite><\/blockquote>\n\n\n\n

    He also questions Eithun\u2019s credibility:<\/p>\n\n\n\n

    \n

    He [Rem] quotes Tomas Haugen (Samoth) and B\u00e5rd G. Eithun (Faust), or rather quote what they said in «Lords Of Chaos»<\/a>, who both claimed that I worshipped the devil, and the latter also that I was anti-Nazi. Excellent!<\/p>\n\n\n\n

    Now, not only have these two guys no clue whatsoever, but would you trust something these rats said in 1995\u20131996, Mr. Rem, right after they had ratted each other and everybody else they knew out and right after I was convicted for killing their friend and idol? Why? Did they even know me very well? Are they credible sources at all? I don’t think so. […] B\u00e5rd G. Eithun said those things to hurt me, to get some revenge, to attack me for killing his friend and idol! Any idiot out there can see that, so why cannot you see this Mr. Rem?<\/p>\nVikernes (2010).<\/em><\/cite><\/blockquote>\n\n\n\n

    Vikernes, therefore, does not have much faith in the truthfulness of Eithun\u2019s statements, and thus casts doubt on the date when Vikernes and Aarseth first met, as well as the date of the opening of the record shop Helvete, a date that remains unclear to this day. Most people state that the shop opened in May\/June 1991, or in June 1991, but it is possible that these dates are based on Eithun\u2019s dating in Moynihan (1998).<\/p>\n\n\n\n

    Vikernes is therefore very clear that he first met Aarseth at his home near Ski in April 1991, that is, before the concert took place, regardless of Rem\u2019s timeline, and before Helvete opened, if we are to believe Eithun\u2019s dating. I see no reason to doubt Vikernes\u2019 claim that his first meeting with Aarseth must have taken place at Aarseth\u2019s home in April 1991. Rem\u2019s claim 3 is therefore incorrect. Vikernes and Aarseth did not meet for the first time at the Morbid Angel concert at Alaska in 1991, but before that, regardless of the date of the concert.<\/p>\n\n\n\n

    Further down in the article, Vikernes adds the following to his criticism of Rem, thereby also providing a clear indication of when the Morbid Angel concert did not take place:<\/p>\n\n\n\n

    \n

    The next hundred pages he [Rem] talks about Mayhem and Darkthrone and ends up saying that in 1991 \u2013 on that Morbid Angel concert in May (and I may add that Morbid Angel played live in Norway in late 1991, perhaps December, and certainly not in May) we had a motto; «Death to Death Metal. Back to Venom. Back to Black Metal from 1982.» And he says: «The road further goes back to Black Metal». Really? Does it? Did it? It is funny, because I was there, and I can tell that all of this is made up nonsense. I don’t know who made it up, but someone obviously has made this up. Is it you Mr. Rem? I have never heard anyone else say something like this, so I can only assume it is. Why?<\/p>\n\n\n\n

    Let me tell you what «we» (i. e. Euronymous) did agree on in late 1991; the Morbid Angel audience was made up of trendy kids. Death Metal had become a commercial trend and we needed to revolt against this (and a few of us had already; Darkthrone, Immortal and Burzum \u2013 and in theory Mayhem too \u2013 revolted several months before this magnificent and oh-so-very-important «meeting»). <\/p>\nVikernes (2010).<\/em><\/cite><\/blockquote>\n\n\n\n

    According to Vikernes, Morbid Angel certainly did not play at Alaska in the spring of 1991, but rather later in the year. However, he cannot pinpoint the exact date of the concert and believes it may have been in December, which is when Rem claims Morbid Angel\u2019s second concert in Norway that year took place.<\/p>\n\n\n\n

    So I included the quote for longer than was strictly necessary to convey Vikernes\u2019s view on concert dates. The reason for this is, firstly, that he makes it very clear here that the development of black metal in Norway was a reaction to the commercialisation of death metal. Secondly, he makes what I consider to be an unreasonable criticism, which I think it is important to get out of the way.<\/p>\n\n\n\n

    Vikernes responds to the following passages from Rem:<\/p>\n\n\n\n

    \n

    The Mayhem lads are aged 22\u201323. Eithun and Vikernes are 17 and 18 respectively. In the spring and early summer of 1991, the key figures establish contact. Aarseth is in the process of opening his record shop, Helvete, on Schweigaards gate. If anyone turns up in Alaska in white jogging bottoms, they\u2019ll soon be a thing of the past. Bright tracksuits are soon replaced by dark cloaks and leggings. The death metal growl is soon replaced by the black metal scream. The dabbling in socio-political words and expressions in the lyrics is soon replaced by a stronger focus on Satan.<\/p>\n\n\n\n

    The motto is: Death to death metal. Back to Venom. Back to Black Metal<\/em> from 1982. The way forward lies in a return to black metal.<\/p>\nRem (2010), p. 107. My translation.<\/em><\/cite><\/blockquote>\n\n\n\n

    I do not interpret this as Rem claiming that Vikernes and Aarseth had actually formulated a motto like this, but rather that Rem is referring to what I would call a sociological «we», rather than a conscious, personal and psychological «I». What Rem is trying to say is that the zeitgeist or mindset of Vikernes and Aarseth can be described sociologically as if they had this motto, something for which I believe there is ample evidence in various parts of the literature.<\/p>\n\n\n\n

    This distinction between a psychological «I» and a sociological «we» seems to me to have been very often misunderstood by the genre\u2019s spokespeople. It is, in fact, the case that black metal as a genre can be said to have been a reaction to the commercialisation of death metal, even though not ALL black metal artists were consciously aware of this. The statement could still be true even if NO ONE ever consciously entertained this thought. The genre\u2019s development and pattern of reaction could nevertheless be described as a reaction to the commercialisation of death metal, through the demonstrably inferior sound compared to the more polished death metal sound and the DIY attitude, amongst other things. So on this point, I think Vikernes misses the mark in his criticism of Rem.<\/p>\n\n\n\n

    It is also worth noting that when Aarseth started the record store Helvete, the following could be read on the store poster: «Norway’s only specialty store for Death metal. We are the rawest and cheapest.» This very negative attitude towards death metal at the end of the year in 1991, as Vikernes describes it, must have come about in the period between the opening of Helvete, and late in the year 1991.<\/p>\n\n\n\n

    \"\"
    Fotografi hentet fra artikkelen Brannen som startet i Helvete: \u2013 Folk kommer hit fra hele verden<\/em> gjengitt i ABC Nyheter den 30.03.2019: https:\/\/www.abcnyheter.no\/helse-og-livsstil\/livet\/2019\/03\/30\/195565376\/brannen-som-startet-i-helvete-folk-kommer-hit-fra-hele-verden<\/a>. Foto: Mimsy M\u00f8ller.<\/figcaption><\/figure>\n\n\n\n

    Blessed Are the Sick<\/em><\/h2>\n\n\n\n

    But when did Morbid Angel actually play at Alaska in 1991?<\/p>\n\n\n\n

    If you look at the overview of Morbid Angel concerts listed on http:\/\/metallipromo.com\/morbid.html<\/a>, this gives a quite different picture than that given by Rem (2010). Morbid Angel had a very hectic May in 1991 on their Blessed Are the Sick<\/em> tour, which left little room for a stopover in Oslo. There are still gaps in the tour calendar. Their Brazilian tour lasted until April 21, and after that they had a stopover until May 11, where they could potentially have played in Oslo. They also had a stopover on May 18 and 19 when they came from England and went to the Netherlands, on May 27 between two concerts in the Netherlands, and on May 30 between a concert in Germany and one in Poland. That they would have prioritized a stopover in Oslo at these times seems unlikely, and is also not documented. In June they also had a hectic concert schedule, but they could potentially have been in Oslo on the 2nd, 6th, 17th, 20th, 24th, 27th, 29th or 30th. But during that period they are traveling around Germany and eventually south in Europe.<\/p>\n\n\n\n

    The overview also claims that Morbid Angel played with Sadus during this period, and later also with Unleashed in June. But Sadus also does not claim to have played in Oslo that spring according to their concert overview.5<\/a><\/sup> Unleashed also did not play in Oslo in the spring of 1991 according to their concert schedule.6<\/a><\/sup> Nor did Entombed play there in May\/June according to their tour schedule.7<\/a><\/sup><\/p>\n\n\n\n

    Those who played at Alaska in May and June were The Georgia Satellites, Lenny Kravitz and Stress,8<\/a><\/sup> something that is confirmed by the Student Association itself.9<\/a><\/sup><\/p>\n\n\n\n

    \"\"
    Konsertdatoer med Morbid Angel i november og desember 1991, hentet fra http:\/\/metallipromo.com\/morbid.html<\/a>.<\/figcaption><\/figure>\n\n\n\n

    The trio Morbid Angel, Entombed and Unleashed \u2013 who Rem claims played together at the May\/June concert in Alaska \u2013 did not play together until the autumn tour in 1991, which is consistent with the three being able to play at Alaska on November 30, 1991, a date given in the tour schedule from 1991. However, the tour schedule does not mention Unleashed as a support act, only Entombed. It was not until the following day, on December 1 in Stockholm, that the schedule states that the three played together.<\/p>\n\n\n\n

    \"\"<\/figure>\n\n\n\n

    Looking at Unleashed’s tour dates in the fall of 1991, we see that they actually played in Alaska on November 30, 1991,10<\/a><\/sup> in line with what Rem states. The same applies to Entombed.11<\/a><\/sup><\/p>\n\n\n\n

    That Morbid Angel only played in Oslo on November 30, 1991 is also confirmed by another concert overview.12<\/a><\/sup><\/p>\n\n\n\n

    \"\"
    If\u00f8lge Christian Moen i et innlegg p\u00e5 Facebook-gruppen Extreme Metal Norway s\u00e5 er dette billetten til Roger \u00abNattefrost\u00bb Rasmussen fra Morbid Angel-konserten l\u00f8rdag den 30. november 1991. Foto: Christian Moen.<\/figcaption><\/figure>\n\n\n\n

    Conclusion<\/h2>\n\n\n\n

    On this dark November evening down in the basement of the Norwegian Student Association’s hangout Chateau Neuf, in the concert hall that was then called Alaska, and is now called Betong, Morbid Angel brought along the Swedish bands Entombed and Unleashed. And the date of Morbid Angel’s first concert in Oslo, not just in 1991, but in general, is November 30, 1991.13<\/a><\/sup><\/p>\n\n\n\n

    Morbid Angel did not play twice in Norway in 1991, the first time in May or June, the second time in December. They played once on Saturday, November 30. Rem’s claim 1 is therefore falsified.<\/p>\n\n\n\n

    That Vikernes was in Oslo on November 30 and was therefore at the Morbid Angel concert is confirmed by the indictment decision at the conviction of Vikernes and Snorre Ruch on March 25, 1994, which states that Vikernes did the following: «On the night of Saturday, November 30, 1991 in Oslo, he overturned several tombstones at Gamlebyen cemetery.»14<\/a><\/sup><\/p>\n\n\n\n

    Ulvers Sv\u00e6ren and Rygg met for the first time at the Morbid Angel concert in May\/June 1991 \u2013 Rem’s claim 2 \u2013 is therefore also partly wrong. They met at the Morbid Angel concert, but late in November and not in May\/June.<\/p>\n\n\n\n

    Rem’s claim number 3 that Mayhem’s Aarseth and Vikernes first met at the same Morbid Angel concert is also incorrect. They met as early as April 1991 at Aarseth’s home near Ski.<\/p>\n\n\n\n

    That Aarseth opened the record store Helvete around the same time this concert took place \u2013 Rem’s claim number 4 \u2013 is also incorrect. The record store probably opened in May or June 1991.<\/p>\n\n\n\n

    Notes<\/h2>\n\n\n
    1. Here, future Mayhem vocalist Eirik «Messiah» Norheim met J\u00f8rn «Necrobutcher» Stubberud and \u00d8ystein «Euronymous» Aarseth for the first time when Stubberud and Aarseth saw Norheim with a Venom back badge in the crowd. Mayhem needed a vocalist and Norheim was asked if he could sing. Listen to Jernverket’s episode «Order» from 17.04.2020 (https:\/\/radioplay.no\/podcast\/jernverket\/id-2028725\/<\/a>). Rem (2010, p. 58) writes based on Norheim’s statements in the video documentary Once Upon a Time in Norway<\/em> (2008) that it was an AC\/DC concert this happened at, in 1983 or 1984. But as Rem correctly writes, AC\/DC did not play in Drammenshallen until 10 February 1986, so it seems more correct that this is at a Dio concert. It seems a bit strange that Rem writes that it is probably the year that is misremembered, and not the band. \u21a9\ufe0e<\/a><\/li>
    2. See Fossberg (2015), p. ? og https:\/\/jessheimpuls.no\/tung-verdenshistorie-med-startskudd-pa-jessheim\/<\/a>. \u21a9\ufe0e<\/a><\/li>
    3. See the book P\u00e5skeaften 1996<\/em> (Halvorsr\u00f8d, 2021), and https:\/\/blogg.deichman.no\/musikk\/2021\/06\/01\/linn-halvorsrod-paskeaften-1996-et-stykke-norsk-musikkhistorie\/<\/a>. \u21a9\ufe0e<\/a><\/li>
    4. See https:\/\/web.archive.org\/web\/20100111072815\/http:\/\/www.avantgarde-metal.com\/content\/stories2.php?id=127<\/a>. \u21a9\ufe0e<\/a><\/li>
    5. See https:\/\/www.setlist.fm\/setlists\/sadus-7bd69e9c.html?page=11<\/a> and forward in time. \u21a9\ufe0e<\/a><\/li>
    6. See https:\/\/www.setlist.fm\/search?page=137&query=unleashed<\/a>. \u21a9\ufe0e<\/a><\/li>
    7. See https:\/\/www.setlist.fm\/search?page=130&query=entombed<\/a>. \u21a9\ufe0e<\/a><\/li>
    8. See https:\/\/www.setlist.fm\/venue\/alaska-oslo-norway-23d6d463.html?page=6<\/a>. \u21a9\ufe0e<\/a><\/li>
    9. See https:\/\/viteboka.studentersamfundet.no\/Konserter_p\u00e5_Chateau_Neuf_1991<\/a>. \u21a9\ufe0e<\/a><\/li>
    10. See https:\/\/www.setlist.fm\/search?page=131&query=unleashed<\/a>. \u21a9\ufe0e<\/a><\/li>
    11. See https:\/\/www.setlist.fm\/search?page=126&query=entombed<\/a>. \u21a9\ufe0e<\/a><\/li>
    12. See https:\/\/www.setlist.fm\/search?page=116&query=morbid+angel<\/a>. Se ogs\u00e5 https:\/\/www.setlist.fm\/setlist\/morbid-angel\/1991\/alaska-oslo-norway-3f925d3.html<\/a>. \u21a9\ufe0e<\/a><\/li>
    13. H\u00e5vard Rem himself has admitted some errors pointed out by Vikernes in the VG article «‘Greven’ med frontalangrep p\u00e5 norsk black metal-bok: \u2212\u00a0Man kan heller lese Donald Duck», Jonas Pettersen, 31.03.2010 (https:\/\/www.vg.no\/rampelys\/bok\/i\/oXP60\/greven-med-frontalangrep-paa-norsk-black-metal-bok-man-kan-heller-lese-donald-duck<\/a>). \u21a9\ufe0e<\/a><\/li>
    14. Thanks to Christian Moen who brought this to my attention. Moen adds: «I understand that in connection with that concert there was a party at Helvete all weekend. The Old Town cemetery is not far from Helvete, I don’t think it’s very likely that he ran away there alone, I think he was part of a group from the party at Helvete who got a «good» idea\u2026». My translation. \u21a9\ufe0e<\/a><\/li><\/ol>","protected":false},"excerpt":{"rendered":"

      In the history of Norwegian black metal, there are several concerts that stand out as particularly significant: the Dio concert at Drammenshallen in October 1984, Mayhem at Folkets Hus in Jessheim in February 1990, and Darkthrone and Satyricon at Rockefeller in April 1996. These are all significant because they defined the genre and cemented the […]<\/p>\n","protected":false},"author":1,"featured_media":1432,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"[{\"content\":\"Here, future Mayhem vocalist Eirik \\\"Messiah\\\" Norheim met J\u00f8rn \\\"Necrobutcher\\\" Stubberud and \u00d8ystein \\\"Euronymous\\\" Aarseth for the first time when Stubberud and Aarseth saw Norheim with a Venom back badge in the crowd. Mayhem needed a vocalist and Norheim was asked if he could sing. Listen to Jernverket's episode \\\"Order\\\" from 17.04.2020 (https:\/\/radioplay.no\/podcast\/jernverket\/id-2028725\/<\/a>). Rem (2010, p. 58) writes based on Norheim's statements in the video documentary Once Upon a Time in Norway<\/em> (2008) that it was an AC\/DC concert this happened at, in 1983 or 1984. But as Rem correctly writes, AC\/DC did not play in Drammenshallen until 10 February 1986, so it seems more correct that this is at a Dio concert. It seems a bit strange that Rem writes that it is probably the year that is misremembered, and not the band.\",\"id\":\"223b3f28-6e11-4d66-b57b-c2c78293e747\"},{\"content\":\"See Fossberg (2015), p. ? og https:\/\/jessheimpuls.no\/tung-verdenshistorie-med-startskudd-pa-jessheim\/<\/a>.\",\"id\":\"bc940ea6-e9db-45c9-a0f2-2a9ec02b5ab0\"},{\"content\":\"See the book P\u00e5skeaften 1996<\/em> (Halvorsr\u00f8d, 2021), and https:\/\/blogg.deichman.no\/musikk\/2021\/06\/01\/linn-halvorsrod-paskeaften-1996-et-stykke-norsk-musikkhistorie\/<\/a>.\",\"id\":\"1ad0be2c-3ec3-488c-9c8b-81d9a2730b88\"},{\"content\":\"See https:\/\/web.archive.org\/web\/20100111072815\/http:\/\/www.avantgarde-metal.com\/content\/stories2.php?id=127<\/a>.\",\"id\":\"9038d9cf-7886-4652-86d8-ff259238f9e6\"},{\"content\":\"See https:\/\/www.setlist.fm\/setlists\/sadus-7bd69e9c.html?page=11<\/a> and forward in time.\",\"id\":\"745f4456-ac0b-426e-a78e-8fb8d3de7427\"},{\"content\":\"See https:\/\/www.setlist.fm\/search?page=137&query=unleashed<\/a>.\",\"id\":\"014414e4-9c12-4b95-9c6e-b476c8a8e49c\"},{\"content\":\"See https:\/\/www.setlist.fm\/search?page=130&query=entombed<\/a>.\",\"id\":\"de8eea67-959f-4dd0-8c7e-ea5a098806ef\"},{\"content\":\"See https:\/\/www.setlist.fm\/venue\/alaska-oslo-norway-23d6d463.html?page=6<\/a>.\",\"id\":\"9d716fcb-1d21-464f-a5a5-844aa5f9dcff\"},{\"content\":\"See https:\/\/viteboka.studentersamfundet.no\/Konserter_p\u00e5_Chateau_Neuf_1991<\/a>.\",\"id\":\"6562abcb-202c-4e07-8229-f517c4dbb016\"},{\"content\":\"See https:\/\/www.setlist.fm\/search?page=131&query=unleashed<\/a>.\",\"id\":\"673d3f4d-3a5e-43a7-a996-8a18c2c9bfb8\"},{\"content\":\"See https:\/\/www.setlist.fm\/search?page=126&query=entombed<\/a>.\",\"id\":\"22fc99bc-5fa6-49eb-8ebc-76571101ca00\"},{\"content\":\"See https:\/\/www.setlist.fm\/search?page=116&query=morbid+angel<\/a>. Se ogs\u00e5 https:\/\/www.setlist.fm\/setlist\/morbid-angel\/1991\/alaska-oslo-norway-3f925d3.html<\/a>.\",\"id\":\"48909ea0-7bdf-464d-9be1-a20ef786b855\"},{\"content\":\"H\u00e5vard Rem himself has admitted some errors pointed out by Vikernes in the VG article \\\"'Greven' med frontalangrep p\u00e5 norsk black metal-bok: \u2212\u00a0Man kan heller lese Donald Duck\\\", Jonas Pettersen, 31.03.2010 (https:\/\/www.vg.no\/rampelys\/bok\/i\/oXP60\/greven-med-frontalangrep-paa-norsk-black-metal-bok-man-kan-heller-lese-donald-duck<\/a>).\",\"id\":\"5962cbca-5873-442d-87a4-e618dc9f8a3a\"},{\"content\":\"Thanks to Christian Moen who brought this to my attention. Moen adds: \\\"I understand that in connection with that concert there was a party at Helvete all weekend. The Old Town cemetery is not far from Helvete, I don't think it's very likely that he ran away there alone, I think he was part of a group from the party at Helvete who got a \\\"good\\\" idea\u2026\\\". My translation.\",\"id\":\"91106fc3-fac5-4181-83f8-c8a57bab2241\"}]"},"categories":[1160,1158],"tags":[983,934,979,977,967],"class_list":["post-2861","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-black-metal","category-dark-meditations","tag-alaska-en","tag-black-metal-en","tag-chateau-neuf","tag-rem","tag-vikernes"],"yoast_head":"\nThe Morbid Angel concert in 1991 - M\u00f8rke meditasjoner<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/morkemeditasjoner.no\/?p=2861&lang=en\" \/>\n<meta property=\"og:locale\" content=\"nb_NO\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Morbid Angel concert in 1991 - M\u00f8rke meditasjoner\" \/>\n<meta property=\"og:description\" content=\"In the history of Norwegian black metal, there are several concerts that stand out as particularly significant: the Dio concert at Drammenshallen in October 1984, Mayhem at Folkets Hus in Jessheim in February 1990, and Darkthrone and Satyricon at Rockefeller in April 1996. 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